L'abécédaire.
G. Deleuze
Magazine
Commentaries
Forum
Translator 
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L'abécédaire.
G. Deleuze |
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Magazine |
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Commentaries |
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Forum |
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Translator |
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Ways rather than systems
Transparencies rather than mirrors
Will of memory
The tear of psychoanalysis is produced by Felix Guattari and Gilles Deleuze. They call it schizoanalysis, territory of wolves, desiring machines that transform the identity of cogito ego into a future (it) schizo.
Clinic praxis. Radical mise-en-scene in which nobody remains exempted from effective offence, the spatial hierarchies become anarchic and speech no longer figures out the metric of a structured unconscious.
When this happens, the gift of happening “language is stretched to its limits, towards music and silence”.
Schizoanalysis is a thought of immanence, over-the-top production of the real and no longer the oedipal triangulation of an expressive unconscious.
Speed transforms the point in line and the divan becomes the tool box, direct entry in the body of the real.
The abstract machine of schizoanalysis thus becomes an operator of distinctive synthesis, populating with intensities the flesh regained.
Cases of thoughts. Cases of initiations of abstract blood. Scaffold of escape lines in immediate connection with the outside. The outside of the inside, cross-cutting rhizomatic paradoxes that inhabit the desertic zones of desire.
That no place or place created neither above nor beneath but on the wind surface which offers its hospitality.Text written in 1992.
SCHIZOANALYSIS DEVICES
SCHIZOANALYSIS DEVICES
CROSS-SECTIONAL READING OF PSYCHOANALYSIS
DAWN
The tear of psychoanalysis is produced by Felix Guattari and Gilles Deleuze. They call it schizoanalysis, territory of wolves, desiring machines that transform the identity of cogito ego into a future (it) schizo.
Clinic praxis. Radical mise-en-scene in which nobody remains exempted from effective offence, the spatial hierarchies become anarchic and speech no longer figures out the metric of a structured unconscious.
When this happens, the gift of happening “language is stretched to its limits, towards music and silence”.
That no place or place created neither above nor beneath but on the wind surface which offers its hospitality.
Become the tightrope over an abyss that makes us shiver.
In the performer there is no centre that operates as authority, practices are in the centre.
The idea is to substract what shuts off the difference or freezing point through identification and recognition on a same object which is identical.
The performing practice inserts enigmas, lines of errancy in motor control, lines of temporary setting made up of flows and initiations.
The art of performance does not isolate or fasten, it determines practices of self-legitimization, self-care, self-analysis, autopoiesis, self-authorisation starting from sensations that germinate at the crossroads and make connections.
What is to anticipate? A poem? A medicine? A performance?
What is an enigma? An image? A block of difference? A force providing hospitality? A will of power?
It is enlightment that predisposes the performer, willpower that enables to be affected in many ways.
Availability of a complement, which is internal, an internal/external desire, an available affective balance.
Dance of fluids, pro-active dance that summons the irruption of allies-monsters.
Thoughts that move in bifurcated times like schizia flash and non-significant.
Bodies that include enigmas, bodies connected, folded, symbiotic like the effect of force relationships that make us feel, become sensitive.
Small voices
Big voices
Shadows that link territories.
How is it possible to break in or make a line of rupture emerge, a small broken line that provokes the wayout in black alleys?
The game consists in setting dreams. Lines that determine a body choreography of our dreams, acted as part of reality instead of being told or interpreted.
Writing with the body, avoiding the repetition of everything that makes the body docile and submissive.
That is why art makes it possible for our body to withstand limitations and flows.
And expand, reverse, turn the mutation device.
Ceremony of body rituals that allow no performance, continuing emotional lines that allow improvisations.
Choreographic lines capable of redefining a social body beyond its disciplinary anatomy, beyond its territories of power, beyond discipline and control.
Poeticize is an activity of simulation.
Activity that anticipates what is yet not possessed.
It is something that we cannot describe or know, that we have never seen or dreamt of but we feel vibrate all over the body, from the toenail to the head hair.
The medicinal value is that it can change direction.
Sadness can turn into singing or poetry.
Something that cannot be interpreted but may enable to listen the voice of the own myth.
Looking for the own way of moving in the dark, not visually, listening in ceremonies of self-healing.
Techno-tribal identity.
From silent darkness the sound of what is geographic is born
It houses what is virtual, mythical, tribal, primitive.
Something that cannot be interpreted but may enable to listen to the voice of the own myth.
Looking for the own way of moving in the dark, not visually, listening in ceremonies of self-healing.
Self-research of the body in our performance
The body in demonstrations
The body in squares
The body in dances
The body in music
The body in rituals
The body in tribes
The body in the family
The abstract body
The body in ceremonies
The body in poetry
The body in movement
The body at rest
The body in tension
The body in slow motion
The body in fast motion
The body in isolation
Collective bodies
Desiring bodies
Subjected bodies
Flat marks
Not photographed yet.
Sensitive bodies
I dissolve myself
Shivering of thought
Nomadic remains
Machines of abstraction
Steps in the water
Testimonial
Slowly repeats the same note
Memory will
Lost objects
Night already?
Drop after drop
With no name
Clear voluptuousness
The future siphons squeak
Located in my body
Doodles
Metallic impact in the flesh
Get lost in the object
To escape
Escapes
Cross section
Always more, always less, at the same time, yet never the same.
An archetype or birth of a sand enigma
A new life is recovered, reorganized.
I smell sand
that gets into my skull.
This time the sand gets into the knee
and slides warmly.
It brings rest
They say that those who put their feet on the road
are recognized by the sound made with softness.
Second birth
I hear the sound of transformation with imperceptible small ears.
SECOND BIRTH
Stella Angel Villegas, born in Rosario, is a Schizoanalyst and Plastic Artist who does research and generates poetic connections between thinking and artistic creation as practices for life, a philosophic-poetic proposal to create health.
She founded in 1992 and runs the Centre for Studies and Research on Medicine and Art, institution which provides further insight into the problems of the XXI century, cross thinking and transdisciplinary aesthetics. She is a pioneer in the Virtual Forum and Sessions for Schizoanalysis.
She is Professor and Consultant on Philosophy.She conducts seminars-workshops and conferences on the thought of Gilles Deleuze and Felix Guattari in Argentina, Cuba and Lisbon, Portugal.
Performance
Will of Memory
Wind Hospitality
Territory of wolves
Threshold Politics
Medicine of Desire
The Election of Anatomy
Operating Theatre
Doctor’s waiting rooms
The century in the body
From beast-like machines and transversality
Poeticize and anticipate health
Performance Deleuze
College of Medical Sciences Multimedia Space. Rosario (1998-1999)
College of Humanities and Arts (UNR) (1999)
National University of Rosario (UNR) Publisher (2000)
Medical Professionals Circle (1999 -2001)
VII International Nephrology Sessions (2000)
XI Scientific Congress of Students of Medicine
College of Medical Sciences (2000)
Congress of Students of Chemical Engineering. Rosario (2000-2002)
First Virtual Sessions on Schizoanalysis (2004)
First Virtual Forum on Schizoanalysis (2003-2005)
Cultural Centre Roberto Fontanarrosa. Rosario(1999-2001)
University of Medical Sciences of La Habana, Cuba (2011-2013)
College of Sciences of Lisbon, Portugal (2014)
Cultural Centre Borges. Buenos Aires, Argentina (2011-2015)
Centre of Schizoanalysis on Medicine and Art www.medicinayarte.com (1998)
Digital Books on Medicine and Art (2002-2005). Electrónica M y A Publisher
Schizoanalysis Carthography. Strategies on Thought . Dunken Publisher (2005)
Performance Deleuze. Schizoanalysis Network (2009-2016)
Essays
Performance in Medicine and in Schizoanalysis
Science and Art as performance (4)
Blending Medicine and Art
Poeticize, inhabit and anticipate health
A performer’s ethics
Medical Sciences in Las Tunas, Cuba (2012) (5)
University of Medical Sciences Villa Clara, Cuba (2013)
Direction, Script, Choreography, Texts
Stella Angel Villegas
The films and images correspond to installations, choreographies and artistic-clinical research work on schizoanalysis. They belong to original documents on installations and performance.
Centre for Studies and Research on Schizoanalysis. Medicine and Art. Training, production and exercises on schizoanalysis.
Activity anticipating what is still non-existent
Ceremony of flat marks
The ritual of initiations that squeaks
Cross-cutting my body
Músic
Tristán Murail
Productión
Ignacio Litmanovich
Editing
Emiliano Ovejero
Thanks to
Marlon Barrios Solano
Jorge Dorat
Sandra Torrico
Caterina Mengotti
Fabiana Sayago
Patricia Arcuri
Silvia Dahlquist
Julieta Yulan
Susana Schurrer
Jimena Leiva
María Mascheroni
Ana Lettelier
Diego Mune
Mónica Travesaro
Benjamìn Gálvez Sanhueza
Deleuze Studies Conference. Faculty of Science, University of Lisbon, Portugal 2013 download
Arts and Philosophy Studies CenterCLINICA de PENSAMIENTO*Schizoanalysis
Forum MA Stella Maris Angel Villegas, born in Rosario, graduated in the National University of Rosario, has created and directed the Arts and Philosophy Studies Center “CLINICA de PENSAMIENTO” since 1989. Institution that deals with the end-of-the-century problematic, crossing thinking* and transdisciplinary aesthetics. She has had active participation in Art Galleries, Art-Object exhibits in Rosario and other Argentine cities. She has produced artist’s books. She has completed a master in photography and cinema in Buenos Aires. She has received special training from well-known philosophers from Argentina and other countries. She has published MAQUINA CIRCULATORIA, an Arts and Philosophy review. At present, she coordinates the “Medicine and Art” Research Center. New analysis branches in the field of the interspeech-act ** between Philosophy and Science in a national and international level.
* The Crossing thinking (El Pensamiento de cruce) is conceived as an intensity thinking act, not extensive. ** Speech-act (interdiscursividad)
Individual exhibits
Group Exhibit
Virtual Library
Arts and Philosophy Studies Center Schizoanalysis Forum MA Stella Maris Angel Villegas, born in Rosario, graduated in the National University of Rosario, has created and directed the Arts and Philosophy Studies Center “CLINICA de PENSAMIENTO” since 1989. Institution that deals with the end-of-the-century problematic, crossing thinking* and transdisciplinary aesthetics.
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